audioXpress 2016 CD

audioXpress 2016 CD
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  • Item #: AX-CDAX2016
  • Manufacturer: audioXpress
audioXpress 2016 - 12 Issues in PDF format

January 2016 

  • FROM THE EDITOR’S DESK—Standards and Convergence, by João Martins, p. 4
  • The Personalities Behind The Art and Science of Analog Circuit Design, Review by Scott Dorsey, p. 8
  • Rocky Mountain Audio Fest 2015: Different, Upbeat, Younger High-End Audio, by Oliver Masciarotte, p. 10
  • PRACTICAL T&M—The iSEMic 725TR Measurement and Recording Microphone, by Stuart Yaniger, p. 22
  • STANDARDS REVIEW—Audio Network Development (Part 2): Fundamentals of Audio Networking, by João Martins, p. 28
  • SOUND CONTROL—Performing SPL Measurements, by Richard Honeycutt, p. 36
  • QUESTIONS & ANSWERS—Inspiring Creativity with Hand-Built Microphones: An Interview with Philip Graham, Founder of Ear Trumpet Labs, by Shannon Becker, p. 42
  • Build an Inexpensive Guitar Practice Amplifier, by Bruce Brown, p. 46
  • The False Center Box, by Scott Dorsey, p. 50
  • Revisiting “The Remaking of a Champ,” by Mark Driedger, p. 54
  • A Switching Power Supply for Tube Amplifier Applications, by Peter Delos, p. 60

 

February 2016 

  • FROM THE EDITOR’S DESK—Where is Audio Technology Heading, by João Martins, p. 4
  • Eighteen Sound: The Younger Face of Italian Speaker Tradition, by João Martins, p. 8
  • Immersive Sound (Part 2): Experiments with Dolby Atmos, by Ron Tipton, p. 16
  • STANDARDS REVIEW—Audio Network Development (Part 3): Developing Products Based on Dante, by João Martins, p. 22
  • SOUND CONTROL—Measuring Reverberation Time (RT), by Richard Honeycutt, p. 30
  • QUESTIONS & ANSWERS—Recreating the Fairchild Legends: An Interview with Simon Saywood, CEO Analoguetube, by Shannon Becker, p. 35
  • Three-Way Loudspeakers with Active Crossovers, by Ron Tipton, p. 40
  • Willow Revisited: A Design Celebrating the Enthusiasm and the Creativity of the Builder, by Robert Nance Dee, p. 48
  • The Correct Use of Rectifier Tubes, by Gerhard Haas, p. 55
  • HOLLOW-STATE ELECTRONICS—Testing Tubes, by Richard Honeycutt, p. 62

 

March 2016 

  • FROM THE EDITOR’S DESK—A Bridge to Better Audio?, by João Martins, p. 4
  • Playing with Room Correction, by Ron Tipton, p. 8
  • One Model to Rule Them All: A Unified Model for Grid-Excited, Single-Triode Circuits, by Christopher Paul, p. 14
  • SOUND CONTROL—Calculate Reverberation Time Using Statistical Methods, by Richard Honeycutt, p. 24
  • Testing Headphones and Earphones: The G.R.A.S. 43BB Low-Noise Ear Simulator, by Mike Klasco, p. 30
  • I Can Hear It? Why Can’t I Measure It?, by Dan Foley, p. 38
  • The Virtins Multi-Instrument Software, by Stuart Yaniger, p. 42
  • QUESTIONS & ANSWERS—NTi Devines New Technologies in Audio: An Interview with Philipp Schwizer, CEO of NTi Audio, by Shannon Becker, p. 50
  • Build an Audio Headroom Meter, by James B. Wood, p. 54
  • HOLLOW-STATE ELECTRONICS—Amplitrex AT1000 Tube Tester, by Richard Honeycutt, p. 62

 

April 2016 

  • FROM THE EDITOR’S DESK—Saying and Doing It, by João Martins, p. 4
  • Higher Order Ambisonics (Part 1): Immersive Applications, by Ron Tipton, p. 8
  • STANDARDS REVIEW—Audio Network Development (Part 4): Devloping Products Based on RAVENNA, by João Martins, p. 14
  • SOUND CONTROL—Deciding Where to Put Acoustical Absorption, by Richard Honeycutt, p. 20
  • iSEMcon EMX-7150 Measurement Microphone, by Bennett Prescott, p. 26
  • Performance Analysis with FFT Software, by David Soffer, p. 30
  • TERESA de Luxe: Without Doubt, a Jaunted Sound Experience, by Harald Frank, p 41
  • MiniDSP Stereo System: Kits Save Time and Streamline the Workload, by Claude Goeuriot, p. 50
  • A 3.1 Channel System, by Bill Christie, p. 58
  • HOLLOW-STATE ELECTRONICS—SPICE Analysis of Hollow-State Circuits, by Richard Honeycutt, p. 62

 

May 2016 

  • FROM THE EDITOR’S DESK—From Glass to Bits, by João Martins, p. 4
  • Higher Order Ambisonics (Part 2): Another Immersive Format, by Ron Tipton, p. 8
  • STANDARDS REVIEW—Audio Network Development (Part 5): Developing Products Featuring AES67 Network Connectivity, by João Martins, p. 14
  • UVI Falcon: Discovering a Creative Hybrid Musical Instrument, by Fernando Rodrigues, p. 24
  • An Octal Triode Line Stage Preamplifier, by James Lin, p. 32
  • A Silk Purse: Revamping Old Organ Tube Amplifiers, by Bruce Brown, p. 40.
  • The Beast Matcher: A Matching and Burn-In Device for Power Tubes, by Bruce Heran, p. 48
  • Universal Tube Power Amplifier System, by Gerhard Haas, p. 52
  • HOLLOW-STATE ELECTRONICS—Impedance Matching in Hollow-State Circuits and Equipment, by Richard Honeycutt, p. 62
  •  

 

June 2016 

  • FROM THE EDITOR’S DESK—Why MQA Matters, by João Martins, p. 4
  • CanJam SoCal 2016: Checking Out the Premium Headphone Market, by Rob Baum, p. 8
  • STANDARDS REVIEW—Master Quality Authenticated (MQA): Redefining the Source for Music, by João Martins, p. 16
  • SOUND CONTROL—The Difficult and the Impossible in Acoustics, by Richard Honeycutt, p. 28
  • QUESTIONS & ANSWERES—Eminence Celebrates 50 Years of Excellence: An Interview with Rob Gault, by Shannon Becker, p. 32
  • Wireworld: Making Experiential Observations Count, by Oliver Masciarotte, p. 40
  • Dayton Audio OmniMic V2, by Stuart Yaniger, p. 44
  • An Ecological Power Supply for Power Amplifiers, by Vincent Thiernesse, p. 52
  • HOLLOW-STATE ELECTRONICS—Meet Electro-Harmonix, by Richard Honeycutt, p. 60

 

July 2016 

  • FROM THE EDITOR’S DESK—From Assembly Lines to Shows, by João Martins, p. 4
  • Room Correction Revisited (Part 1): Decreasing Reflected Sound and Increasing Absorption, by Ron Tipton, p. 8
  • The Exciting Sounds of Audio Expo North America (AXPONA) 2016, by Oliver Masciarotte, p. 14
  • KanexPro HAECOAX HDMI Audio De-Embedder, by Gary Galo, p. 22
  • Testing Dante-Enabled Devices, by Gus Noelcke, p. 26
  • SOUND CONTROL—Deaf Designers and Blind Acousticians—Tales from the Trenches, by Richard Honeycutt, p. 31
  • FACTORY TOUR—Sinar Baja Electric and SB Acoustics: Too Big to Be Kept a Secret, by João Martins, p. 34
  • Use Brüel & Kjær Instrumentation Microphones for Recording, by Scott Dorsey, p. 46
  • The D70 Stereo Tube Amplifier, by Mark Driedger, p. 52
  • HOLLOW-STATE ELECTRONICS—Compare Guitar Amplifier Input Stages Using LT-SPICE, by Richard Honeycutt, p. 60

 

August 2016 

  • FROM THE EDITOR’S DESK—Acoustics in Focus, by João Martins, p. 4
  • Room Correction Revisited (Part 2): Using EQ to Adjust the Way We Hear Sound, by Ron Tipton, p. 8
  • The Munich High End Show 2016: The Calm Before the Storm?, by Ward Maas, p. 12
  • Plugin Alliance Brainworx bx_console: A Different Kind of Channel Strip, by Fernando Rodrigues, p. 20
  • What’s News in Acoustical Treatment Solutions, by João Martins, p. 26
  • Artnovion: Performance for Unlimited Design Solutions, by Oliver Masciarotte, p. 42
  • Eliminating Room Reflections inWoofer Measurements (Part 1): Basic Concepts Using Ideal Waveforms, by Richard K. Mains, p. 46
  • Bass Trap Myths, by Ethan Winer, p. 52
  • SOUND CONTROL—Small-Room Acoustics, by Richard Honeycutt, p. 58

 

September 2016 

  • FROM THE EDITOR’S DESK—Impressive Speaker Designs, by João Martins, p. 4
  • Room Correction Revisited (Part 3): Serious Tools for Room Correction, by Ron Tipton, p. 8
  • SOUND CONTROL—Your Ultimate Sound-Measuring Instrument, by Richard Honeycutt, p. 14
  • Evolution of Compact Deep Bass Subwoofers, by Mike Klasco, p. 18
  • A Loudspeaker Quest: An Unexpected Journey, by Ward Maas, p. 24
  • The PVC Bipolar Duo, by Ken Bird, p. 30
  • The DSP Assisted Reflex System, by Perry Marshall, p. 36
  • Eliminating Room Reflections in Woofer Measurements (Part 2): Applying the Techniques, by Richard K. Mains, p. 48
  • QUESTIONS & ANSWERS—Life in a Speaker Workshop: An Interview with David MacPherson, Owner of Studio Electric, by Shannon Becker, p. 54
  • HOLLOW-STATE ELECTRONICS—Output Transformers for Hollow-State Amplifiers: Design Parameters, by Richard Honeycutt, p. 60

 

October 2016 

  • FROM THE EDITOR’S DESK—Augmented Audio Reality, by João Martins, p. 4
  • Room Correction Revisited (Part 4): Audiolense 4.13, by Ron Tipton, p. 8
  • SOUND CONTROL—The Electroacoustical/Acoustical Interface, by Richard Honeycutt, p. 14
  • 2016 Midwest Audiofest, by Thomas Perazella, p. 18
  • Bricasti Design M1 Dual Mono D/A Converter: Deluxe Limited Edtition, by Gary Galo, p. 26
  • XiVero MusicScope, by Oliver Masciarotte, p. 36
  • Reggie-Phil: A Regulated Filament Supply, by Christopher Paul, p. 42
  • QUESTIONS & ANSWERS—Creating a Business from Modding and DIY Kit Microphones: An Interview with Matthew Glynn, Owner of Microphone-Parts.com, by Shannon Becker, p. 54
  • HOLLOW-STATE ELECTRONICS—Negative Feedback in Hollow-State Amplifiers: Its Designs and Effects, by Richard Honeycutt, p. 58

 

November 2016 

  • FROM THE EDITOR’S DESK—Digital Signal Processing, by João Martins, p. 4
  • Room Correction Revisited (Part 5): Dirac Live, by Ron Tipton, p. 8
  • Inside Parts Express, by Thomas Perazella, p. 14
  • They Vinyl Frontier, by Neville Roberts, p. 18
  • KEMET’s Electrolytic Capacitors: The PEG124 Series, by Scott Dorsey, p. 26
  • SOUND CONTROL—Speaker Placement in Rooms, by Richard Honeycutt, p. 32
  • Fairchild 275 Restoration, by Bruce Brown, p. 38
  • Build a Radio Receiver with a Ceramic Filter, by Raj Gorkhali, p. 44
  • QUESTIONS & ANSWERS—Making Acoustics a Priority: An Interview with Dennis Foley of Acoustic Fields, by Shannon Becker, p. 50
  • HOLLOW-STATE ELECTRONICS—Balanced Hollow-State Circuits and Hum, by Richard Honeycutt, p. 60

 

December 2016

  • FROM THE EDITOR’S DESK—Yes…It’s Complicated, by João Martins, p. 4
  • Experience Disk Recording 1930 to 1960, by James Wood, p. 8
  • Room Correction Revisited (Part 6): miniDSP DDRC-24, by Ron Tipton, p. 10
  • STANDARDS REVIEW—USB 3.1, USB Type-C, and Thunderbolt 3 (Part 1): An Introduction to the Latest Interfaces, by João Martins, p. 16
  • SOUND CONTROL—A Complementarity Principle in Acoustics, by Richard Honeycutt, p. 26
  • Innovative Measurement Microphones from PCB Piezotronics, by Stuart Yaniger, p. 32
  • Mytek Digital Brooklyn DAC Preamplifier and Headphone Amplifier: Born in New York, by Oliver A. Masciarotte, p. 40
  • Retro-Style High-Fidelity Preamplifier, by Bill Christie, p. 46
  • Optocouplers in a MOSFET Power Amplifier Design, by Richard K. Mains, p. 52
  • HOLLOW-STATE ELECTRONICS—Tremolo Circuits in Guitar Amplifiers, by Richard Honeycutt, p. 60

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